At the center of my work lies the experimental blending of digital image spaces, screen printing, and painterly gestures – a process-oriented approach that understands the image as an open field of possibility. I combine these methods to create hybrid visual spaces in which planning and spontaneity are equally at play.
The starting point is the digital realm: there, sketches emerge through the layering, shifting, and overlapping of image planes, which are then transferred onto the canvas and further developed.
I am fascinated by the tension between control and chance: each layer responds to the previous one and opens up new, unexpected possibilities. Screen printing becomes an experimental tool that keeps the process of image creation in constant motion. It serves not only as a means of execution but as an active catalyst within artistic thinking – through intentionally introduced imperfections such as dried paint in the screen, misaligned prints, or discolored squeegees.
My works deliberately move between abstraction and recognizability, between digital aesthetics and analog presence. It is precisely this juxtaposition that generates the image’s dynamic energy. Rather than separating digital and analog processes, I explore their intersections and zones of friction. This creates an interplay between virtual construction and material presence. I understand the image as a process in which the visible is in a state of continuous transformation. Within it, abstract structures, organic forms, fragmented plant elements, and architectural fragments relate to one another. They coalesce into pictorial spaces that build up and dissolve at the same moment – fields between memory and transformation. Through repetition, layering, and painterly intervention, a visual language emerges in which scenes are more suggested than explicitly depicted.