
credits Sabrina Asche
My work centers on the experimental blending of digital imaging techniques, screen printing, and painterly gestures—a process-oriented approach that views the image as an open space of possibilities.
In my artistic practice, I combine these elements to create hybrid visual spaces in which planning and spontaneity come into play in equal measure.
In image-editing programs, I create the digital foundations of my paintings in a sketchy manner—using abstract structures, fragmented plant elements, and architectural motifs—by layering, shifting, and superimposing image planes, which are then transferred to the canvas using a variety of stencils.
For me, screen printing is a continuation of the experimental process of image creation in the analog realm. It serves not only as a means of execution, but also as an active source of inspiration. I deliberately make use of possibilities such as dried-up ink in the screen to allow the unexpected and the random to happen. With each printed layer, I respond to the one before it. Through repetition, layering, and painterly gestures, a visual language emerges in which scenes are suggested rather than explicitly depicted.
My work deliberately navigates the space between abstraction and recognizability, between digital aesthetics and analog presence.
Christoph Brückner
2025
, "Apartmento," Monopol, Berlin
, "Revolt of Color," prideArt Berlin, Berlin
2022
"Transformer," Essenheimer Kunstverein, Essenheim
"This was meant to make you move," diploma exhibition, HGB Leipzig
2019
"Modernism. Iconography. Photography. Bauhaus and its effects 1919-2019," Kunstmuseum Kloster unser lieben Frauen, Magdeburg
"school's out! Klasse Ruckhaeberle stellt aus," Thaler Originalgrafik, Spinnerei Leipzig
2018
"garden : reflect", Suzhou Design Week, China
"escaping the flat surface", Vui Studio, Hanoi, Vietnam
"colorless green ideas sleep furiously", HGB, Leipzig
"the original format may have disintegrated and is no longer available", GapGap, Leipzig
"most wild, last of the wild, least wild", HGB, Leipzig
2017
"forward for what," Tasku Gallery, Helsinki, Finland
"Il deserto rosso now – Photographic Responses to Antonioni's Classic Film," SK Stiftung Kultur, Cologne
"open studio," Oficina de Arte, Mexico City, Mexico
2016
"Red Desert Now," Linea de Confine, Ospitale di Rubiera, Italy
2018–2022 Diploma, Painting and Graphic Arts Class of Prof. Christoph Ruckhaeberle, Academy of Fine Arts Leipzig
2017 Printmaking class of Jussi Juurinen, University of Arts Helsinki, Finland
2014–2018 Photography and Media Class Prof. Joachim Brohm, Academy of Visual Arts Leipzig
2005 - 2009 Media design, Bauhaus University Weimar
Intersectional 7.0 Revolt of Colour (Exhibition Catalog)
Edited by Henning von Berg and Dr. Joachim Köhrich, prideArt Berlin e.V. 2025
ISBN 978-3-00-083313-7
Modern. Iconography. Photography. Joachim Brohm's Photography and Media Class.
Edited by Annegret Laabs and Joachim Brohm, Kunstmuseum Magdeburg and E.A. Seemann Verlag 2019
ISBN 978-3-86502-434-3
The streets, the factories, the colors, the sky, the people—in reference to: "The Red Desert" (1964) by Michelangelo Antonioni
Edited by Joachim Brohm and Anna Voswinckel, Academy of Visual Arts Leipzig; in collaboration with Gabriele Conrath-Scholl and Claudia Schubert, Die Photographische Sammlung/SK Stiftung Kultur, Cologne; and Silvia Loddo and Cesare Fabbri, Osservatorio Fotografico, German/English/Italian, Salzburg: Fotohof, 2017
ISBN 978-8-894214-12-3
Reinhard Matz, "Photographic traces of Antonioni's feature film 'The Red Desert' – on display in Cologne," Photonews Magazines (November 2017), page 8
Panel Discussion on Landmarks
November 27, 2018, 1st Suzhou Design Week, Suzhou, China
"Escaping the flat surface" screen printing workshop
October 11–20, 2018, Heritage Space, Hanoi, Vietnam (in cooperation with the Goethe Institute Hanoi)
"Talk on Photography and Materiality" ( with Nam Nguyen), Month of Art Practice "Visible / Invisible"
October 8, 2018, Heritage Space, Hanoi, Vietnam
Lighting Technician for “Cold Readings,” 2020
experimental short film by Katrin Esser & Sarah Veith
Cinematographer for "A Returning Course of Movement, " 2018
, an experimental short film by Katrin Esser & Sarah Veith
Co-writer of the short film "Reloaded," directed by Katrin Esser in 2017
Production assistant on the music video "Weiter, " 2016, byLaura Liebeskind
Lighting technician for "Into the Wild," 2015, by Katrin Esser

Credits: Sabrina Asche
My work centers on the experimental blending of digital imaging techniques, screen printing, and painterly gestures—a process-oriented approach that views the image as an open space of possibilities.
In my artistic practice, I combine these elements to create hybrid visual spaces in which planning and spontaneity come into play in equal measure.
In image-editing programs, I create the digital foundations of my paintings in a sketchy manner—using abstract structures, fragmented plant elements, and architectural motifs—by layering, shifting, and superimposing image planes, which are then transferred to the canvas using a variety of stencils.
For me, screen printing is a continuation of the experimental process of image creation in the analog realm. It serves not only as a means of execution, but also as an active source of inspiration. I deliberately make use of possibilities such as dried-up ink in the screen to allow the unexpected and the random to happen. With each printed layer, I respond to the one before it. Through repetition, layering, and painterly gestures, a visual language emerges in which scenes are suggested rather than explicitly depicted.
My work deliberately navigates the space between abstraction and recognizability, between digital aesthetics and analog presence.
Christoph Brückner
2025
, "Apartmento," Monopol, Berlin
, "Revolt of Color," prideArt Berlin, Berlin
2022
"Transformer," Essenheimer Kunstverein, Essenheim
"This was meant to make you move," diploma exhibition, HGB Leipzig
2019
"Modernism. Iconography. Photography. Bauhaus and its effects 1919-2019," Kunstmuseum Kloster unser lieben Frauen, Magdeburg
"school's out! Klasse Ruckhaeberle stellt aus," Thaler Originalgrafik, Spinnerei Leipzig
2018
"garden : reflect", Suzhou Design Week, China
"escaping the flat surface", Vui Studio, Hanoi, Vietnam
"colorless green ideas sleep furiously", HGB, Leipzig
"the original format may have disintegrated and is no longer available", GapGap, Leipzig
"most wild, last of the wild, least wild", HGB, Leipzig
2017
"forward for what," Tasku Gallery, Helsinki, Finland
"Il deserto rosso now – Photographic Responses to Antonioni's Classic Film," SK Stiftung Kultur, Cologne
"open studio," Oficina de Arte, Mexico City, Mexico
2016
"Red Desert Now," Linea de Confine, Ospitale di Rubiera, Italy
2018–2022 Diploma, Painting and Graphic Arts Class of Prof. Christoph Ruckhaeberle, Academy of Fine Arts Leipzig
2017 Printmaking class of Jussi Juurinen, University of Arts Helsinki, Finland
2014–2018 Photography and Media Class Prof. Joachim Brohm, Academy of Visual Arts Leipzig
2005 - 2009 Media design, Bauhaus University Weimar
Intersectional 7.0 Revolt of Color (exhibition catalog)
Edited by Henning von Berg and Dr. Joachim Köhrich, prideArt Berlin e.V. 2025
ISBN 978-3-00-083313-7
Modern. Iconography. Photography. Joachim Brohm's Photography and Media Class.
Edited by Annegret Laabs and Joachim Brohm, Kunstmuseum Magdeburg and E.A. Seemann Verlag 2019
ISBN 978-3-86502-434-3
The streets, the factories, the colors, the sky, the people—in reference to: "The Red Desert" (1964) by Michelangelo Antonioni
Edited by Joachim Brohm and Anna Voswinckel, Academy of Visual Arts Leipzig; in collaboration with Gabriele Conrath-Scholl and Claudia Schubert, Die Photographische Sammlung/SK Stiftung Kultur, Cologne; and Silvia Loddo and Cesare Fabbri, Osservatorio Fotografico, German/English/Italian, Salzburg: Fotohof, 2017
ISBN 978-8-894214-12-3
Reinhard Matz, "Photographic traces of Antonioni's feature film 'The Red Desert' – on display in Cologne," Photonews Magazines (November 2017), page 8
Panel Discussion on Landmarks
November 27, 2018, 1st Suzhou Design Week, Suzhou, China
"Escaping the flat surface" screen printing workshop
October 11–20, 2018, Heritage Space, Hanoi, Vietnam (in cooperation with the Goethe Institute Hanoi)
"Talk on Photography and Materiality" ( with Nam Nguyen), Month of Art Practice "Visible / Invisible"
October 8, 2018, Heritage Space, Hanoi, Vietnam
Director of Photography for the short film "A returning course of movement" by Katrin Esser & Sarah Veith, 2018
Co-author of the short film "Reloaded" by Katrin Esser, 2017
Production assistant for the music video by Laura Liebeskind - Weiter, 2016
Lighting technician for the short film "Into the Wild" by Katrin Esser, 2015
Christoph Brückner is a Berlin-based visual artist who works across painting, screen printing, and digital image creation.