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Christoph Brückner is an artist living in Berlin who completed his degree in fine arts at the Academy of Visual Arts (HGB) in Leipzig. There he studied painting and graphic arts with Christoph Ruckhäberle and photography with Joachim Brohm and Ines Schaber. As part of an Erasmus scholarship, he also studied printmaking in Jussi Juurinen's class at the University of the Arts in Helsinki, Finland. His works range from digital collage to screen printing and painting. In process-oriented, multi-layered visual worlds, he explores the interplay of structure, chance, and memory, combining digital fragments with analog printing techniques.

 

portrait of artist Christoph Brueckner

credits Sabrina Asche

Artist Statement

 

My work centers on the experimental blending of digital imaging techniques, screen printing, and painterly gestures—a process-oriented approach that views the image as an open space of possibilities.

In my artistic practice, I combine these elements to create hybrid visual spaces in which planning and spontaneity come into play in equal measure.

In image-editing programs, I create the digital foundations of my paintings in a sketchy manner—using abstract structures, fragmented plant elements, and architectural motifs—by layering, shifting, and superimposing image planes, which are then transferred to the canvas using a variety of stencils.

For me, screen printing is a continuation of the experimental process of image creation in the analog realm. It serves not only as a means of execution, but also as an active source of inspiration. I deliberately make use of possibilities such as dried-up ink in the screen to allow the unexpected and the random to happen. With each printed layer, I respond to the one before it. Through repetition, layering, and painterly gestures, a visual language emerges in which scenes are suggested rather than explicitly depicted.

My work deliberately navigates the space between abstraction and recognizability, between digital aesthetics and analog presence.

Christoph Brückner

 

Exhibitions (selection)

2025
, "Apartmento," Monopol, Berlin
, "Revolt of Color," prideArt Berlin, Berlin

2022
"Transformer," Essenheimer Kunstverein, Essenheim
"This was meant to make you move," diploma exhibition, HGB Leipzig

2019
"Modernism. Iconography. Photography. Bauhaus and its effects 1919-2019," Kunstmuseum Kloster unser lieben Frauen, Magdeburg
"school's out! Klasse Ruckhaeberle stellt aus," Thaler Originalgrafik, Spinnerei Leipzig

2018
"garden : reflect", Suzhou Design Week, China
"escaping the flat surface", Vui Studio, Hanoi, Vietnam
"colorless green ideas sleep furiously", HGB, Leipzig

"the original format may have disintegrated and is no longer available", GapGap, Leipzig
"most wild, last of the wild, least wild", HGB, Leipzig

2017
"forward for what," Tasku Gallery, Helsinki, Finland
"Il deserto rosso now – Photographic Responses to Antonioni's Classic Film," SK Stiftung Kultur, Cologne
"open studio," Oficina de Arte, Mexico City, Mexico

2016
"Red Desert Now," Linea de Confine, Ospitale di Rubiera, Italy

 

Education

2018–2022 Diploma, Painting and Graphic Arts Class of Prof. Christoph Ruckhaeberle, Academy of Fine Arts Leipzig

2017 Printmaking class of Jussi Juurinen, University of Arts Helsinki, Finland

2014–2018 Photography and Media Class Prof. Joachim Brohm, Academy of Visual Arts Leipzig

2005 - 2009 Media design, Bauhaus University Weimar

 

Bibliography

Intersectional 7.0 Revolt of Colour (Exhibition Catalog)
Edited by Henning von Berg and Dr. Joachim Köhrich, prideArt Berlin e.V. 2025
ISBN 978-3-00-083313-7

Modern. Iconography. Photography. Joachim Brohm's Photography and Media Class.
Edited by Annegret Laabs and Joachim Brohm, Kunstmuseum Magdeburg and E.A. Seemann Verlag 2019
ISBN 978-3-86502-434-3

The streets, the factories, the colors, the sky, the people—in reference to: "The Red Desert" (1964) by Michelangelo Antonioni
Edited by Joachim Brohm and Anna Voswinckel, Academy of Visual Arts Leipzig; in collaboration with Gabriele Conrath-Scholl and Claudia Schubert, Die Photographische Sammlung/SK Stiftung Kultur, Cologne; and Silvia Loddo and Cesare Fabbri, Osservatorio Fotografico, German/English/Italian, Salzburg: Fotohof, 2017
ISBN 978-8-894214-12-3

Reinhard Matz, "Photographic traces of Antonioni's feature film 'The Red Desert' – on display in Cologne," Photonews Magazines (November 2017), page 8

 

 

Workshops, talks, panels

Panel Discussion on Landmarks
November 27, 2018, 1st Suzhou Design Week, Suzhou, China

"Escaping the flat surface" screen printing workshop
October 11–20, 2018, Heritage Space, Hanoi, Vietnam (in cooperation with the Goethe Institute Hanoi)

"Talk on Photography and Materiality" ( with Nam Nguyen), Month of Art Practice "Visible / Invisible"
October 8, 2018, Heritage Space, Hanoi, Vietnam

 

Projects

Lighting Technician for “Cold Readings,” 2020
experimental short film by Katrin Esser & Sarah Veith

Cinematographer for "A Returning Course of Movement, " 2018
, an experimental short film by Katrin Esser & Sarah Veith

Co-writer of the short film "Reloaded," directed by Katrin Esser in 2017

Production assistant on the music video "Weiter, " 2016, byLaura Liebeskind

Lighting technician for "Into the Wild," 2015, by Katrin Esser

 

Christoph Brückner is an artist living in Berlin who completed his degree in fine arts at the Academy of Visual Arts (HGB) in Leipzig. There he studied painting and graphic arts with Christoph Ruckhäberle and photography with Joachim Brohm and Ines Schaber. As part of an Erasmus scholarship, he also studied printmaking in Jussi Juurinen's class at the University of the Arts in Helsinki, Finland. His works range from digital collage to screen printing and painting. In process-oriented, multi-layered visual worlds, he explores the interplay of structure, chance, and memory, combining digital fragments with analog printing techniques.

 

Christoph Brückner Artist Portrait

Credits: Sabrina Asche

Artist Statement

 

My work centers on the experimental blending of digital imaging techniques, screen printing, and painterly gestures—a process-oriented approach that views the image as an open space of possibilities.

In my artistic practice, I combine these elements to create hybrid visual spaces in which planning and spontaneity come into play in equal measure.

In image-editing programs, I create the digital foundations of my paintings in a sketchy manner—using abstract structures, fragmented plant elements, and architectural motifs—by layering, shifting, and superimposing image planes, which are then transferred to the canvas using a variety of stencils.

For me, screen printing is a continuation of the experimental process of image creation in the analog realm. It serves not only as a means of execution, but also as an active source of inspiration. I deliberately make use of possibilities such as dried-up ink in the screen to allow the unexpected and the random to happen. With each printed layer, I respond to the one before it. Through repetition, layering, and painterly gestures, a visual language emerges in which scenes are suggested rather than explicitly depicted.

My work deliberately navigates the space between abstraction and recognizability, between digital aesthetics and analog presence.

Christoph Brückner

 

Exhibitions (selection)

2025
, "Apartmento," Monopol, Berlin
, "Revolt of Color," prideArt Berlin, Berlin

2022
"Transformer," Essenheimer Kunstverein, Essenheim
"This was meant to make you move," diploma exhibition, HGB Leipzig

2019
"Modernism. Iconography. Photography. Bauhaus and its effects 1919-2019," Kunstmuseum Kloster unser lieben Frauen, Magdeburg
"school's out! Klasse Ruckhaeberle stellt aus," Thaler Originalgrafik, Spinnerei Leipzig

2018
"garden : reflect", Suzhou Design Week, China
"escaping the flat surface", Vui Studio, Hanoi, Vietnam
"colorless green ideas sleep furiously", HGB, Leipzig

"the original format may have disintegrated and is no longer available", GapGap, Leipzig
"most wild, last of the wild, least wild", HGB, Leipzig

2017
"forward for what," Tasku Gallery, Helsinki, Finland
"Il deserto rosso now – Photographic Responses to Antonioni's Classic Film," SK Stiftung Kultur, Cologne
"open studio," Oficina de Arte, Mexico City, Mexico

2016
"Red Desert Now," Linea de Confine, Ospitale di Rubiera, Italy

 

Education

2018–2022 Diploma, Painting and Graphic Arts Class of Prof. Christoph Ruckhaeberle, Academy of Fine Arts Leipzig

2017 Printmaking class of Jussi Juurinen, University of Arts Helsinki, Finland

2014–2018 Photography and Media Class Prof. Joachim Brohm, Academy of Visual Arts Leipzig

2005 - 2009 Media design, Bauhaus University Weimar

 

Bibliography

Intersectional 7.0 Revolt of Color (exhibition catalog)
Edited by Henning von Berg and Dr. Joachim Köhrich, prideArt Berlin e.V. 2025
ISBN 978-3-00-083313-7

Modern. Iconography. Photography. Joachim Brohm's Photography and Media Class.
Edited by Annegret Laabs and Joachim Brohm, Kunstmuseum Magdeburg and E.A. Seemann Verlag 2019
ISBN 978-3-86502-434-3

The streets, the factories, the colors, the sky, the people—in reference to: "The Red Desert" (1964) by Michelangelo Antonioni
Edited by Joachim Brohm and Anna Voswinckel, Academy of Visual Arts Leipzig; in collaboration with Gabriele Conrath-Scholl and Claudia Schubert, Die Photographische Sammlung/SK Stiftung Kultur, Cologne; and Silvia Loddo and Cesare Fabbri, Osservatorio Fotografico, German/English/Italian, Salzburg: Fotohof, 2017
ISBN 978-8-894214-12-3

Reinhard Matz, "Photographic traces of Antonioni's feature film 'The Red Desert' – on display in Cologne," Photonews Magazines (November 2017), page 8

 

Workshops, talks, panels

Panel Discussion on Landmarks
November 27, 2018, 1st Suzhou Design Week, Suzhou, China

"Escaping the flat surface" screen printing workshop
October 11–20, 2018, Heritage Space, Hanoi, Vietnam (in cooperation with the Goethe Institute Hanoi)

"Talk on Photography and Materiality" ( with Nam Nguyen), Month of Art Practice "Visible / Invisible"
October 8, 2018, Heritage Space, Hanoi, Vietnam

 

Collaborations

Director of Photography for the short film "A returning course of movement" by Katrin Esser & Sarah Veith, 2018

Co-author of the short film "Reloaded" by Katrin Esser, 2017

Production assistant for the music video by Laura Liebeskind - Weiter, 2016

Lighting technician for the short film "Into the Wild" by Katrin Esser, 2015

 

Christoph Brückner is a Berlin-based visual artist who works across painting, screen printing, and digital image creation.

Copyright 2026 Christoph Brückner (Brueckner)

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